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The
gallery becomes a film set as the Centre of Attention arrives in Berlin
for four weeks.
The exhibition
consists of one space dedicated to photographs of audience members who
took part in the previous shoots. Here, the stills are of four women who
played the same role of the female lead.
The other
space is given over to the set.
On Saturday
10 May, the Centre of Attention will be filming a number of scenes, with
visitors to the gallery being able to take part. The rushes will then
be screened in the gallery for the duration of the show.
Production
Meeting 3 is at once a work-producing exhibition, a performance, a participatory
event, a screening, a chance to see artists at work and work with the
artists. It is a further attempt by the Centre of Attention to 'dematerialise'
the audience. Using them as a contingent found material, the artists attempt
to fight consumption with consumption, and selfishly pursue their own
creative goals.
This remake
or cover version of an older film, one that was produced in the 1960s,
is not aiming for professional film production values. The lack of realism
and naturalism, the use of unprofessional actors, the artists' approach,
focus on the subject as self-fashioning, on art as portraiture and on
life as art or as role play with a pre-determined script. They highlight
the awkwardness of social interaction and intercourse.
Production
Meeting 3 in Berlin is part of the Centre of Attention's project to produce
a feature-length fine-art video work. This started in Glasgow and Gothenburg
last year. Using the popular template of audience participation, Production
Meeting 3 aims to reveal the entrapment which comes with empowerment and
the lure of escapism mistaken for freedom.
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