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Carly Rogers graduated this year in Printmaking from the Royal College of Art. She exhibited at the Pump House Gallery, London in September. The work shown in A Man, A Woman, A Machine, is an amalgamation of blatant physicality combined with the dry, skeletal nature of the objects, which deny the sensual and exist in a space between "something" and "nothing". For a wider selection of her work, click here to visit her website.
Carly Rogers at the Centre of Attention
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