Hello, attached is an animated GIF which I'd like to contribute as part
of the email art exhibition. The title of this piece is "The
Truck Brings The Furniture". Thank you for your help. James Scott scottart@p acbell.net
Date:
Mon, 12 Aug 2002 21:44:44 +1200 De: "Zoe Drayton" pippalot @ihug.co.nz
De:
Rigvava@ aol.com Fri, 30 Aug 2002 18:04:26 EDT Objet: Re: circle|star|square|cross|oval
an economist, probably would see in these stones the turning
point - when the use value became nothing and the exchange value became
everything.
use
the sarah.tonin @virgin.net for response thanks > -----Original Message-----
> From: Sarah Andrew > Sent: Thursday, August 29, 2002 12:42 AM > To:
'Pierre Coinde'
>Subject:
Mandatory Happening >Date:
Mon, 19 Aug 2002 09:17:30 +0100 > >Mandatory Happening > >You will decide
to read this score or not to read it. When you have >made your decision,
the happening is over. > >
i didnt
decide but decided it was in my bestinterestsoverall to continue you would
not deny me the scope within the defined constricts of your happening
to change my mind or be easily led Or have i missed it again hence i seek
and am breaking the short circuit by replying an act which in itself elicits
my admiration and ------------------------------------------------------------------------
envy>
Date:
Tue, 20 Aug 2002 20:21:49 +0100 Objet: 1st submission De: "John Rogers"
brain.love @btinternet.com
what do you mean you love me? you don't even know me.
Objet:
e-mail art Date: Mon, 09 Sep 2002 15:27:14 +0000 From Tine Isachsen krise5@
hotmail.com
human.jpg
(32k) Taille originale : 450 x 567 Contrôler avec Norton Antivirus
Télécharger Rappel : Vous devez contrôler et nettoyer vos pièces jointes
à chaque téléchargement ou ouverture de fichier.
Ajouter
un drapeau Télécharger les pièces jointes Version imprimable - En-tête complet
Date: Sat, 14 Sep 2002 03:05:17 +0100 Objet: Re: We want your EMail Art
! De: "craiggell" craiggell@ lineone.net |
> If you would like to contribute:
> Email art contributions are welcome from anyone who has subscribed
to the
: pierre@thecentre
ofattention.org, fordyjames@ hotmail.com Objet: Re: We want your EMail Art
! Date: Tue, 10 Sep 2002 17:07:53 +0000
hello here are two possible submissions from my bruce lee
series for the email art. "MeAsBruceLee" and
"MeMorphingBruceLee" in animated gif format. thanks. james ford
I was thinking over your Brink lighting idea. i`m not saying its not
do-able (trannies and links still available at cost), Lawson however wants
to cover his ass and I think the way he wants to do it is to put brink
on hold and use it only if his light industrials don`t realise. For 2002
we have the major conversion of south to do - you are penciled for op.
chief, so I am hoping you will concentrate on this major task in hand
and leave the brain child until the picture with Dave is clearer. On a
totally different note, Amy was talking with Fish about a rubber plant
campaign, ie. get rid of them, he wants to get everyone`s opinion first
and suggestions for replacements. Apparantly the one`s on her floor are
rotting or something! If you want to talk at all please drop by,
Andy Figgis
Télécharger les pièces jointes
Version imprimable - En-tête complet Date: Wed, 11 Sep 2002 20:51:42 -0700
Objet: Re: We want your EMail Art ! De: "Peter Hoang" pete @hoang.com
gracebones" gracebones@ ukonline.co.uk | Bloquer cette adresse | Ajouter
au carnet d'adresses À: "Pierre Coinde" pierre@thecentreofattention.or
Objet: exhibition Date: Wed, 11 Sep 2002 12:05:19 +0100 See attachment.
Thanks, Steve Hunt
09/11/02 40 minutes drawing
4.0 4.1 I determine to produce one tracing today using line only.
4.2 I begin at 11am.
4.3 I determine to use only one pencil and to trace only the marks
made by the previous occupant (the marks, the staples, the Velcro),my
previous interactions (staples; used to mount the paper) and any protrusions
from the wall i.e. screws used to mount the wall and small bumps where
the paint has dried. (The marks made by others; technicians, caretakers).
4.4 I begin drawing , I note my position.
4.5 I draw quickly from top to bottom.
4.6 The paper is hung vertically in rolls like wallpaper.
4.7 I move from left to right but I notice that I draw from right
to left a result of my left-handedness.
4.8 I stand on a chair.
4.9 I stand.
4.10 I bend.
4.11 I squat.
4.12 I determine to work quickly and simply trace or record the marks;
I do not want to impose my will on the wall.
4.13 Sometimes I deviate from my course recording top-right-left, middle-centre,
left, right, bottom right, centre, left , top, right, centre, left,
middle-centre, right, left, bottom-centre, right, left but never left-centre-right.
4.14 I never deviate from the roll.
4.15 My pencil begins to blunt.
4.16 I determine that I will continue without sharpening the pencil.
4.17 This and the pencil¹s interaction with the wall determines the
marks I make; thickness of line, pressure on paper.
4.18 I feel like I am working more quickly. Is this because I feel
that the condition of the pencil may not allow me to finish the recording
or is this an illusion because I have imposed certain conditions on
this exercise ( i.e. to work quickly and use only one pencil)?
4.19 My hand cramps, this sparks a memory; sitting in the exam hall
at St. Peter¹s Grammar school ; the pressure to finish an exam.
4.20 I change the way I hold my pencil.
4.21 This changes the marks I make.
4.22 The cramp stops, I resume my normal hand position.
4.23 Cramp.
4.24 Change.
4.25 Stop.
4.26 Change.
4.27 Pencil becoming blunter, I turn it in my hand.
4.28 Stand on chair, bend, stand , squat, move chair, stand, bend,
stand , squat, left-right,right-left, bottom-right.
4.29 Stop. Mask off area of chair at stop position.
4.30 Note time; 11.40.
4.31 Record details on masking-tape on floor using pencil -40 mins.
Drawing exercise using Berol Turquoise HB Pencil.
4.32 Walk back to start point with chair.
4.33 Determine approximate start point by looking at first recording.
4.34 Site chair. Mask off start position. Record start time 11am.
4.35 Place chair in work space.
4.36 Photograph pencil ,mount pencil on wall.
4.37 Photograph course from stop to start.
4.38 Close-up/stop position.
4.39 Close-up/start position.
4.40 Photograph course from start to stop.
4.41 Back to front/right to left.
De: "Vater Markus" hobbypoplondo n@yahoo.co.uk | Bloquer
cette adresse | Ajouter au carnet d'adresses Objet: animation À: "Pierre
Coinde" pierre@thecentreofa ttention.org Hey Pierre, here the animation.
better late than never. greetings Markus
bjet: Re: We
want your EMail Art ! Date: Thu, 12 Sep 2002 12:06:08 +0100 (BST)
