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Date: Thu, 05 Sep 2002 10:03:16 +0100 Objet: email art De: "Dan Bass" dan@ chalkstack.com

Good morning Centre of attention, I have been enjoying the email art every week, here is my response. Cheers

Date: Fri, 6 Sep 2002 16:28:15 +0100 (BST) De:  "tim flitcroft" timflit yahoo.comObjet: last minute entry puff puff

Dear Pierre The entry attached Dream Team Art Gamble is a Microsoft word Doc. You would need to designate a dreamteam@thecentre ofattention.org space on your website if you werre to get it going properly. Mind you the whole thing is just a wind-up really but it might be fun to set the ball rolling and kick off the new season with a little fun. Best Regards Tim Flitcroft

De: "danpalmer" danpalmer @ntlworld.com | Bloquer cette adresse  | Ajouter au carnet d'adresses À: art@ thecentreofattention.org Objet: Fw: We want your EMail Art ! <<>> Date: Wed, 18 Sep 2002 08:59:01 +0100

Decision Piece

A coin flipped as an aid to making a decision, then flipped again (and again?) until the result is that for which one unconsciously hoped.

De: "jluc faubert" jlf @noname.fr | Bloquer cette adresse  | Ajouter au carnet d'adresses À: "Simon Poulter" art@ thecentreofattention.org Date: Tue, 03 Sep 2002 03:28:37 -0000 Objet: Re: circle|star|square|cross|oval

Le 26-Août-02, Simon Poulter a écrit: >The philosopher Garamond Barchelli indicated that the stones may indicate >that somewhere inside the nominal the real can be found. He suggested that >the combination star|cross|oval|circle|square was a curious form of code. >Place the stones in this combination and the 'very essence' of being can be >seen. ... It's the code of the essential word Jean luc Faubert ~~~~~~~~~~~~~~~~ http://www.noname.fr/jlf/

Tue, 17 Sep 2002 14:16:02 -0700 De: "james scott" scottart@pacb ell.net

Hello, attached is an animated GIF which I'd like to contribute as part of the email art exhibition. The title of this piece is "The Truck Brings The Furniture". Thank you for your help. James Scott scottart@p acbell.net

Date: Mon, 12 Aug 2002 21:44:44 +1200 De: "Zoe Drayton" pippalot @ihug.co.nz

Objet: lalala

Date: Tue, 03 Sep 2002 10:37:56 +0200 Objet: OBL De: "Francois Clavel" clavel@ bichat.inserm.fr

not sure whether the previous email got through...

De: MarcoLivingstone @aol.com | Bloquer cette adresse  | Ajouter au carnet d'adresses Date: Tue, 17 Sep 2002 09:40:35 EDT

Chance Meeting (Bryan Ferry)

I never thought I'd see you again

Where have you been until now?

Well how are you? How have you been?

It's a long time since we last met

drawing by Marco Livingstone

De: Rigvava@ aol.com  Fri, 30 Aug 2002 18:04:26 EDT Objet: Re: circle|star|square|cross|oval

 

an economist, probably would see in these stones the turning point - when the use value became nothing and the exchange value became everything.
use the sarah.tonin @virgin.net for response thanks > -----Original Message----- > From: Sarah Andrew > Sent: Thursday, August 29, 2002 12:42 AM > To: 'Pierre Coinde'

I attach my subscriber's submission. The work "Have a nice Spray" should be sent out the week before you intend to display it to all subscribers inviting them to download it, add their own graffiti tag/message in PhotoShop or free paintbox programmes and sending it back to you, copied to sarah.tonin@virgin.net. Then two days before you are due to send it as the formal work I will download all submissions, and with minimal curatorial intervention mount the collective submissions across the surface in PhotoShop again. The final work could not only be displayed on your site but as it is legal, unassailable virtual tagging it has multiple potential posting sites - both online on as an attachment to mail to McDonalds internet pr sites, news groups etc and physical as a real full size poster version remounted over the same hoarding that is bound to be put up next May Day or indeed on any pitch at a MacDonalds near you. The image attached should be sent out with this text. " On MayDay 2002 MacDonalds' placed these temporary art display sites outside their premises on Oxford Street. Sadly due to the engrossing mass football match progressing down Oxford Street, most artists were unable to take full advantage of this unexpected largess. Therefore we are proud to represent the Macdonald's potable graffiti wall for you own creative delight. Have a nice Spray. " Please feel free to add to the wall any message or image in PhotoShop or paintbox or whatever takes your fancy and return to thecentreofattention.org and sarah.tonin@virgin.net by ....date to allow collation...... Your collective effort will as far as possible be assembled and completed and sent to all participants as well as being posted to appropriate sites across the world. <> Hope you like the idea, the exhibitions been good so far - have been following Ken's Diary. The work can be identified as that of Sarah Andrew or Sarahtonin

 

Date: Wed, 04 Sep 2002 18:42:28 +0200 De: "Fred Perie" f. perie@tiscali.fr

Objet: Serial Urban
Date: Thu, 12 Sep 2002 15:24:19 +0100 Objet: We want your EMail Art ! De: "Andrew Connolly" andrewconnoll y@newendtheatre.co.uk

Dear Pierre Thanks for email art much appreciated. I enclose a found photo as a contribution. Keep me posted Yours with best wishes Andrew Connolly

Craig Atkinson" thedoc orange.net | Bloquer cette adresse  | Ajouter au carnet d'adresses

Hello Pierre, Here is a sketch of a painting of mine...the fact it is on computer, done how it has been takes away any meaning it ever had, now it is just a scribble, I don't know if it is art but I guess it is because it's a sketch? hope you like it. VOTE FOR ME! Craig www.craigatkinson.co.uk

 

 

"alec dunnachie" alecdunnachie@ hotmail.com
>Subject: Mandatory Happening >Date: Mon, 19 Aug 2002 09:17:30 +0100 > >Mandatory Happening > >You will decide to read this score or not to read it. When you have >made your decision, the happening is over. > >

i didnt decide but decided it was in my bestinterestsoverall to continue you would not deny me the scope within the defined constricts of your happening to change my mind or be easily led Or have i missed it again hence i seek and am breaking the short circuit by replying an act which in itself elicits my admiration and ------------------------------------------------------------------------ envy>

 

Date: Tue, 20 Aug 2002 20:21:49 +0100 Objet: 1st submission De: "John Rogers" brain.love @btinternet.com

 

what do you mean you love me? you don't even know me.

 

2nd submission : animated gif

 

Date: Tue, 20 Aug 2002 07:47:49 -0700 (PDT) De:  "finbarr kelleher" finkelleher@y ahoo.com

Grüss Dich! Ich habe eine kleine Bitte an Dich: Freunde von mir bereisen zur Zeit Deutschland. Sie haben mich gefragt, ob ich ihnen eine Möglichkeit eröffnen könne, irgendwo zu wohnen, ohne dass große Kosten entstehen. Ich selber bin leider nicht da. Sie sind daran gewöhnt in ihrem mitgebrachtenZelt zu wohnen und brauchen eigentlich nur ein kleines Stück Land zum Aufbau des Zeltes und ab und zu ein Abendessen. Ich habe ihnen - dein Einverständnis vorausgesetzt - deinen Namen, deine Telefonnummer und Anschrift genannt. Sie werden sich in den nächsten Tagen bei Dir melden, und ich bin Dir schon jetzt für die Unterstützung dankbar. Sie kommen mit einem grünen und einem weißen Mercedes. Damit Du sie erkennst, findest Du ein Foto in der Anlage

Date: Thu, 15 Aug 2002 12:37:49 +0100 À: art@thecentreofattention.org Objet: Email Art

Pierre, I've attached a bit of email art that I hope you like. Look forward to receiving more of your email art in the coming weeks. All the best, Sean ============================================================================ Sean Hall email: s.hall@ gold.ac.uk Design Department Goldsmiths College Lewisham Way London SE14 6NW

De: "manik" mani k@ptt.yu | Bloquer cette adresse  | Ajouter au carnet d'adresses À: art@thecentreofattention.org Objet: MANIK Date: Wed, 14 Aug 2002 15:22:35 +0200

art_in_america3.jpg (97k) Taille originale : 800 x 579
De: "Walter Cianciusi" headless @freemail.it | Bloquer cette adresse  | Ajouter au carnet d'adresses

THREE INTERNET EVENTS

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À: art@th ecentreofattention.org CC: babakghazi @hotmail.com Objet: a suppression of possibilities with robotic beats Date: Wed, 11 Sep 2002 18:34:35 +0100

Babak Ghazi

Date: Fri, 13 Sep 2002 11:01:43 +0100 Objet: Re: We want your EMail Art ! - *G l i t c h. De: "Gordon Cheung" gordon.cheung @lineone.ne
Dear Pierre Coinde, *G l i t c h. Please find attached a file to be considered for your email art exhibit. Open with quicktime or in Internet Explorer. Use menu to scroll and zoom around the room. Let me know if you need further info. I look forward to hearing from you. Thanks, Gordon Cheung
Objet: e-mail art Date: Mon, 09 Sep 2002 15:27:14 +0000 From Tine Isachsen krise5@ hotmail.com
human.jpg (32k) Taille originale : 450 x 567   Contrôler avec Norton Antivirus   Télécharger Rappel : Vous devez contrôler et nettoyer vos pièces jointes à chaque téléchargement ou ouverture de fichier.
caroline black" carolineblack@ btconnect.com

WORSHIPFUL COMPANY OF VIRGINS

Application to receive virgin status Please write in your own words why you wish to have your virginity restored.

SignatureŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠ.. Date ŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠŠ..

Date: Sat, 14 Sep 2002 20:16:50 +0100 Objet: email art submission De: "Jo David" spacedo gs@btinternet.com   Hello there Pierre and Gary, Here is a submission for the email art. I look forward to seeing your next show. Thanks Jo David.
Ajouter un drapeau Télécharger les pièces jointes Version imprimable - En-tête complet De: "heather ryan kelley" heather07734 @hotmail.com
Dear Pierre,   Thank you for the wonderful surprises in my mailbox. This work is based upon the account in James Joyce's biography by Richard Ellman. Naughty James kept a pair of doll underwear in his pocket. Sometimes at the dinner table he  would trot them out for the amusement of his friends.   Best, Heather Ryan Kelley
Ajouter un drapeau Télécharger les pièces jointes Version imprimable - En-tête complet Date: Sat, 14 Sep 2002 03:05:17 +0100 Objet: Re: We want your EMail Art ! De: "craiggell" craiggell@ lineone.net | 

> If you would like to contribute:

> Email art contributions are welcome from anyone who has subscribed to the

> exhibition.

kinetic image of hand 2am

"Benny SooTho" bsootho@yahoo.co.u  

 

Contemptwary_Art

 

: pierre@thecentre ofattention.org, fordyjames@ hotmail.com Objet: Re: We want your EMail Art ! Date: Tue, 10 Sep 2002 17:07:53 +0000   hello here are two possible submissions from my bruce lee series for the email art. "MeAsBruceLee" and "MeMorphingBruceLee" in animated gif format. thanks. james ford
Date: Wed, 11 Sep 2002 07:56:51 -0700 (PDT) De:  "daragh reeves" dmovie@yaho o.com  

Antony

I was thinking over your Brink lighting idea. i`m not saying its not do-able (trannies and links still available at cost), Lawson however wants to cover his ass and I think the way he wants to do it is to put brink on hold and use it only if his light industrials don`t realise. For 2002 we have the major conversion of south to do - you are penciled for op. chief, so I am hoping you will concentrate on this major task in hand and leave the brain child until the picture with Dave is clearer. On a totally different note, Amy was talking with Fish about a rubber plant campaign, ie. get rid of them, he wants to get everyone`s opinion first and suggestions for replacements. Apparantly the one`s on her floor are rotting or something! If you want to talk at all please drop by,

Andy Figgis

Télécharger les pièces jointes Version imprimable - En-tête complet Date: Wed, 11 Sep 2002 20:51:42 -0700 Objet: Re: We want your EMail Art ! De: "Peter Hoang" pete @hoang.com  
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Date: Tue, 10 Sep 2002 09:39:05 -0500 De: "Roger L. Waggener" waggener@vss. fsi.com

Robert Waggener

 

De: "8i8"De: "8i8"

matt @8i8.co.uk

 

Pièce jointe

 

Date: Fri, 13 Sep 2002 16:38:11 +0200 Objet: unfolded mailart De: "we|" we @unfolded.org

Date: Wed, 11 Sep 2002 21:33:14 +0200 Objet: Re: We want your EMail Art ! De: "Nessed" info @nessed.nl

every window is a widescreen tv Daniël van Nes - www.nessed.nl/art "watching closely from afar"

De: ron.ward@ fsmail.net | 

Objet: I Love You

On average we blink for 1/10th of a second every 5 seconds, this means that we spend 9 months of our waking life with our eyes shut. I wonder what we miss?

gracebones" gracebones@ ukonline.co.uk | Bloquer cette adresse | Ajouter au carnet d'adresses À: "Pierre Coinde" pierre@thecentreofattention.or Objet: exhibition Date: Wed, 11 Sep 2002 12:05:19 +0100 See attachment. Thanks, Steve Hunt

09/11/02 40 minutes drawing

4.0 4.1 I determine to produce one tracing today using line only.

4.2 I begin at 11am.

4.3 I determine to use only one pencil and to trace only the marks made by the previous occupant (the marks, the staples, the Velcro),my previous interactions (staples; used to mount the paper) and any protrusions from the wall i.e. screws used to mount the wall and small bumps where the paint has dried. (The marks made by others; technicians, caretakers).

4.4 I begin drawing , I note my position.

4.5 I draw quickly from top to bottom.

4.6 The paper is hung vertically in rolls like wallpaper.

4.7 I move from left to right but I notice that I draw from right to left a result of my left-handedness.

4.8 I stand on a chair.

4.9 I stand.

4.10 I bend.

4.11 I squat.

4.12 I determine to work quickly and simply trace or record the marks; I do not want to impose my will on the wall.

4.13 Sometimes I deviate from my course recording top-right-left, middle-centre, left, right, bottom right, centre, left , top, right, centre, left, middle-centre, right, left, bottom-centre, right, left but never left-centre-right.

4.14 I never deviate from the roll.

4.15 My pencil begins to blunt.

4.16 I determine that I will continue without sharpening the pencil.

4.17 This and the pencil¹s interaction with the wall determines the marks I make; thickness of line, pressure on paper.

4.18 I feel like I am working more quickly. Is this because I feel that the condition of the pencil may not allow me to finish the recording or is this an illusion because I have imposed certain conditions on this exercise ( i.e. to work quickly and use only one pencil)?

4.19 My hand cramps, this sparks a memory; sitting in the exam hall at St. Peter¹s Grammar school ; the pressure to finish an exam.

4.20 I change the way I hold my pencil.

4.21 This changes the marks I make.

4.22 The cramp stops, I resume my normal hand position.

4.23 Cramp.

4.24 Change.

4.25 Stop.

4.26 Change.

4.27 Pencil becoming blunter, I turn it in my hand.

4.28 Stand on chair, bend, stand , squat, move chair, stand, bend, stand , squat, left-right,right-left, bottom-right.

4.29 Stop. Mask off area of chair at stop position.

4.30 Note time; 11.40.

4.31 Record details on masking-tape on floor using pencil -40 mins. Drawing exercise using Berol Turquoise HB Pencil.

4.32 Walk back to start point with chair.

4.33 Determine approximate start point by looking at first recording.

4.34 Site chair. Mask off start position. Record start time 11am.

4.35 Place chair in work space.

4.36 Photograph pencil ,mount pencil on wall.

4.37 Photograph course from stop to start.

4.38 Close-up/stop position.

4.39 Close-up/start position.

4.40 Photograph course from start to stop.

4.41 Back to front/right to left.

De:  "Vater Markus" hobbypoplondo n@yahoo.co.uk | Bloquer cette adresse  | Ajouter au carnet d'adresses Objet: animation À: "Pierre Coinde" pierre@thecentreofa ttention.org Hey Pierre, here the animation. better late than never. greetings Markus  
bjet: Re: We want your EMail Art ! Date: Thu, 12 Sep 2002 12:06:08 +0100 (BST)  

 

Hi Pierre Never done this before, but have attempted to attach a contribution to the show. Hopefully I will meet you at the weekend as I'm coming to see Gary. In the meantime, good luck with the new show, Julia x

 

And received recently:  

 

From Rowena Easton

 

Also received very recently  

 

From John Magee

 

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